Green Eyed and Grim by Selina Lock

I’ve become very excited about independent presses and self-publishing since attending two exciting events this year – States of Independence and the Self-Publishing Conference – and am itching to start reading the wealth of new material out there. So it seemed a good idea to start with a book by someone I actually know, who’s successfully navigated this brave new publishing world, and is inspiring me to delve deeper into more interesting and lesser known channels of fiction. Selina’s latest novella – she’s already had short stories and graphic novels published by independent presses – is part of a series about the “periodic adventures” of Senor 105, a Mexican wrestler who is also a hero outside the ring, battling otherworldly menaces and demonic forces, aided by his young sidekick Rodrigo, and Sheila – an alien in the form of a talking helium balloon. In this installment the trio have to aid Arella, a young reaper who has the power to help dying people move easily into the next life, stop her brother Callum from abusing their powers. It’s action-packed, funny, ever so slightly mad, and has animated fighting skeletons – what more can you ask for?! I loved the colourful setting of Mexico with its culture saturated with folklore; it’s the perfect place to encounter such bizarre characters and madcap adventures, and the series is replete with nods to cult tv and films which add to the humour. Very enjoyable indeed!

The Periodic Adventures of Senor 105 are published online by Manleigh Books, self-confessed purveyors of modern pulp, and you can download their titles at very reasonable prices at their website www.manleighbooks.co.uk.

The Stone Tape

Okay, a little digression from book reviews but I can’t resist – I’ve spent the evening watching a favourite film of mine which has just been re-issued on DVD after being quite hard to track down for several years. And if you are a fan of ghost stories, you simply have to watch this.

The Stone Tape was scripted by Quatermass creator Nigel Kneale and directed by Peter Sasdy (of Hammer fame) in 1972. The technology and the casual racism do date it, but the story is excellently plotted and executed. It stars Jane Asher as Jill, a computer expert working for Ryan Electrics. The company is involved is highly secret research, attempting to create a new recording media to supersede magnetic tape (this is way before today’s modern optical media!) and has relocated to Taskerlands, a dilapidated house which is being renovated to house the development team. But there’s a problem – the builders won’t complete work on one room earmarked for the computer lab. Jill quickly discovers the cause – the room is haunted. As every member of team encounters the disembodied footsteps and the terrified screaming of a woman, Jill’s boss (and lover) Peter becomes obsessed with capturing a recording of the haunting. And as the team pit technology against terror, the stage is set for tragedy.

It’s an intense story simply told with a minimum of special effects, a limited set and a concentration on character, and all these things mark it as a classic drama. The haunted room is genuinely a scary place – my body temperature actually drops every time one of the characters enters the room. Jane Asher is brilliant as the fragile but determined Jill, and Michael Bryant as Peter is a character you’ll love to hate as he drives his team to the brink of sanity. Supported by a fine cast of familiar faces from the 70’s screen including Iain Cuthbertson and Tom Chadbon, this is a true gem. It’s a genuinely chilling ghost story and I love it – although I’m not going to go to bed just yet… is that footsteps I hear on the stairs…?!

Rating: *****